Scope drives investment, not a rate card. A half day of event coverage and a campaign with several cuts are different jobs. The number belongs in a conversation about your date, your files, and how they will be used.
Hours on site, how many cameras, how many finished pieces, and how many review rounds. A recap from one room is not the same work as a brand film with interviews, b-roll days, and picture lock. Travel and overnight change it again.
Pre-production, Adam on the day, an edit that matches the brief, and files for the uses we named are the core. Drone, extra cameras, rush, and extra stills are add-ons unless they are in the job from the start.
Commercial use for the channels we name is part of the conversation, not a hidden line. Paid media, buyouts, and handing files to a third party for recuts get stated. If you need raw media, say so. If you need a tight set of finished files, say that instead.
Call, email, or send the start form. Adam replies, usually within two business days.