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Beauty Changes Lives Shantavia Ward

Event And Brand Film · Austin · 2019

Beauty Changes Lives Shantavia Ward

Beauty Changes Lives Shantavia Ward

Event And Brand Film · Austin · 2019

Beauty Changes Lives funds scholarships for beauty professionals. This film follows Shantavia Ward for that program. Nonprofits and brands hire Adam for scholarship and story films in Austin. Call 719-964-6971 or start a project with us.

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Scholarship Film

Shauntavia Ward, The 2019 Beauty Changes Lives Total Image Esthetics Scholarship Film From Aveda Institute Austin.

Film by Adam Grumbo

A clay mask going on in the treatment room. Film still at 0:10.
A later hold in the scholarship cut. Film still at 0:20.

Beauty Changes Lives announced Shauntavia Ward of Aveda Institute, Austin, as the 2019 Sydell L. Miller Total Image Esthetics Student Scholarship winner. The foundation posted the award with the Arnold M. Miller Foundation scholarships at America's Beauty Show in Chicago. Ward and Matrix co-founder Sydell Miller both come from Cleveland.

The foundation story says Ward moved from Cleveland Clinic work as a secretary, then a registered nurse, then a nurse practitioner, into aesthetics school in Austin after an instructor asked her to apply. Two days before this application film, she broke her foot and still shot the piece, keeping the crutches off camera.

This is that scholarship entry. The on-screen card reads Shauntavia Ward. Schools and brands hire a short film when a winner and a room have to travel farther than the night itself.

Outdoor frames as the story opened. Film still at 0:38.
A quieter dusk hold. Film still at 0:55.

When people can't put their best face forward, they usually don't perform well.

Shauntavia Ward, Beauty Changes Lives

Who Hired The Camera

Scholarship nights, schools, and small studios hire a short film when an application has to live on a foundation page and on the winner's own site. The brief here was Ward's entry: treatment-room work, daily care, and her voice.

The film as it moved. Film still at 1:13.
A tighter look at the day. Film still at 1:30.

Beauty Changes Lives quoted her on the application: when people cannot put their best face forward, they usually do not perform well. Dermascope later reprinted that line with the Cleveland-to-Austin path. The foundation also posted her advice to the next class: accept fear, use it as a catalyst, and replace it with excitement.

From The Treatment Room To The Studio

Ward completed the aesthetics program on June 1, 2019. Beauty Changes Lives wrote that she planned to open her spa Elemint on July 1, with facial treatments plus healthy beverages and dietary work. Community Impact reported the studio open on June 30, 2019, at 906 East Fifth Street, Suite 106, as Elemint Skin Health and Wellness Studio, a nurse-practitioner facial room with nontoxic care.

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Later in the application. Film still at 1:48.
A hand in the citrus case. Film still at 2:05.

Movers and Makers later interviewed her as Shauntavia Ward of eleMINT. She described the move from emergency and family practice into a skin and wellbeing room, and placed the loft-level studio above the East Austin boutique ARO. The interview is later public record. The film on this page is the application that started it.

What The Camera Held

Oranges and pomelos on the grocery floor. Film still at 2:14.
A later interior hold. Film still at 2:31.

On camera a brush lays a clay mask along a cheek. Later holds sit outdoors near water at dusk, then in a grocery case as a hand reaches for oranges beside pomelos. The cut stays with Ward's voice and the work of skin and daily care.

The stills are frames from that 2019 file: the treatment room, the dusk holds, and the citrus case.

Conversation in the story. Film still at 2:49.
The recap stays with the work. Film still at 3:07.

What The Film Delivers

An application film has to carry a person and a craft in a few minutes. Foundations use a cut like this on a winner page. Schools use it to show what an entry can look like.

A wider look at the day. Film still at 3:24.
Late in the scholarship film. Film still at 3:42.
A last hold before the close. Film still at 3:20.

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